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The following paragraphs are given in a wrong order.For Questions 41-45,you are required to reorganize these paragraphs into a coherent article by choosing from the list A-G and filling them into the numbered boxes.Paragraph C and F have been correctly placed.Mark your answers on the ANSWER SHEET.(10points)

41.Hannah
Simply,there are people in Nigeria who cannot travel to the Smithsonian Institution to see that part of their history and culture represented by the Benin Bronzes.These should be available to them as part of their cultural heritage and history and as a source of national pride.There is no good reason that these artifacts should be beyond the ordinary reach of the educational objectives or inspiration of the generations to which they were left.They serve no purpose in a museum in the United States or elsewhere except as curious objects.They cannot be compared to works of art produced for sale which can be passed from hand to hand and place to place by purchase.

42.Buck
We know very exact reproductions of artwork can be and are regularly produced.Perhaps museums and governments might explore some role for the use ofnearly exact reproductions as a means of resolving issues relating to retuming works of art and antiquities T.he context of any exhibit is more important to me than whether the object being displayed is 2,000 years old or 2 months old.In many cases the experts have a hard time agreeing on what is the real object and what is a forgery.Again,the story an exhibit is trying to tell is what matters.The monetary value of the objects on display is a distant second place in importance.

43.Sara
When visiting the Baltimore Museum of Art,I came across a magnificent15th-century Chinese sculpture.It inspired me to learn more about the culture that it represented.Artifacts in museums have the power to inspire,and perhaps spark that need to leam and understand the nature of their creators.Having said that,I do feel that whatever artifacts find their way to public museums should, in fact,be sanctioned as having been obtained on loan,legally purchased,or obtained by treaty. Stealing artifacts from other peoples'cultures is obscene;it robs not only the physical objects,but the dignity and spirit of their creators.

44.Victor

Ancient art that is displayed in foreign countries by all means should be returned to the original country.The foreign countries have no right to hold back returing the items.I would ask that the foreign nations and the original country discuss the terms of transfer. Yes,there is the risk that the original will not have as good security as do the foreign-countries.But look at what happened to Boston's Gardner Museum theft in 1990,including the loss of Rembrandt Vermeer,Manet and other masterpiece.Nothing is absolutely safe,nowhere,and now ClimateChangeagitators are attacking publicly displayed work in European museum.


45.Julia

To those of you in the comments section,by all means,who are having strong feeling about artifacts being removed from cities in the US and Britain and returned to their countries of originI would ask you to consider:why do you think Americans have more of a right to easily access the Benin Bronzes than people of Nigeria?Why are people who live within a days drive of London entitled to go and see the Elgin Marbles wherever they want,but the people of Athens aren't?What intrinsic factors make the West a suitable home for these artifacts but preclude them from being preserved and displayed by their countries of origin?If your conclusion is that the West is better able to preserve these artifacts,think about why you're assuming that to be true.


A. It's clear that the countries oforigin have never been compensated for the stolen architects.
B. It's a flawed line ofreasoning to argue againstretuming artifacts to their countries ofarranging
C. Museum visitors can still learn as much from artifacts copies after the originals are retumed.
D. Reproductions,even if perfectly made,cannot take the place ofthe authentic objects.
E. The real value of artifacts can only be recognized in their countries of arranging rather than anywhere else
F. Ways to get artifacts from other countries must be decent and lawful.
G. Concern over security is no excuse for refusing to return the artifacts of other countries.


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