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Much of the American anxiety about old age is a flight from the reality of death. One of the striking qualities of the American character is the unwillingness to face either the fact or meaning of death, in the more somber tradition of American literature—from Hawthorne and Melville and Poe to Faulkner and Hemingway?—one finds a tragic depth that belies the surface thinness of the ordinary American death attitudes. By an effort of the imagination, the great writers faced problems which the culture in action is reluctant to face the fact of death, its mystery, and its place in the back-and-forth shuttling of the eternal recurrence. The unblinking confrontation of death in Greek times, the elaborate theological patterns woven around it in the Middle Ages, the ritual celebration of it in the rich, peasant cultures of Latin and Slavic Europe and in primitive cultures; these are difficult to find in American life.
Whether through fear of the emotional depths, or because of a drying up of the sluices of religious intensity, the American avoids dwelling on death or even coming to terms with it; he finds it morbid and recoils from it, surrounding it with word avoidance (Americans never die; they “pass away”) and various taboos of speech and practice. A “Funeral parlor” is decorated to look like a bank; everything in a funeral ceremony is done in hushed tones, as if it were something furtive, to be concealed from the world; there is so much emphasis on being dignified that the ceremony often loses its quality of dignity. In some of the primitive cultures, there is difficulty in understanding the causes of death; it seems puzzling and even unintelligible. Living is a scientific culture. Americans have already enough explanation of how it comes, yet they show little capacity to come to terms with the fact of death itself and with the grief that accompanies it. “We jubilate over birth and dance at weddings,” writes Margaret Mead, “but more and more hustle the dead off the scene without ceremony, without an opportunity for young and old to realize that death is as much a fact of life as is birth.” And, one may add, even in its hurry and brevity, the last stage of an American’s life—the last occasion of his relation to his society—is as standardized as the rest.
1. In the novels of Hawthorne and Melville, one will find ________.
2. The words “pass away” suggest the ________.
3. Unlike American society, some primitive cultures ________.
4. Margaret Mead suggests that ________.
5. The word “it” in line 2 of paragraph 2 refers to ________.
6. We can infer from the passage that in some primitive cultures, ________.
7. From the passage, we team that Americans ________.

问题1选项
A.ordinary American death attitudes
B.a willingness to accept death as a fact of life
C.a superficial attitude toward death
D.a morbid attitude to the death theme
问题2选项
A.religious overtones of death
B.indifference with which most Americans regard death
C.American reluctant to face the reality of death
D.average American belief in immortality
问题3选项
A.do not understand the causes of death
B.understand the causes of death
C.are unable to come to terms with death
D.have a morbid attitude toward death
问题4选项
A.we should sot rejoice at a birth
B.we should cry at a birth and rejoice at a funeral
C.a wedding should be solemn affair
D.we should accept both death mid marriage and birth as a fact of life
问题5选项
A.fear
B.religious integrity
C.dwelling on death
D.death
问题6选项
A.death is accepted happily
B.death has been treated as a mystery
C.death has been bestowed with rich cultural implications
D.mentioning of death is avoided in American culture
问题7选项
A.know scientifically how death comes about
B.treat death as a mystery
C.accept death squarely
D.know more about death than people in other countries
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