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It is notorious that facts are compatible with opposite emotional comments since the same fact will inspire entirely different feelings in different persons, and at different times in the same person; and there is no rationally deducible connection between any outer fact and the sentiments it may happen to provoke. These have their source in another sphere of existence altogether, in the animal and spiritual region of the subject’s being. Conceive yourself, if possibly, suddenly stripped of all the emotion with which your world now inspires you and try to imagine it as it exists, purely by itself without your favorable or unfavorable, hopeful or apprehensive comment. It will be almost impossible for you to realize such a condition of negativity and deadness. No one portion of the universe would then have importance beyond another, and the whole collection of its things and series of its events would be without significance, character, expression, or perspective. Whatever of value, interest, or meaning our respective worlds may appear endowed with are thus pure gifts of the spectator’s mind. The passion of love is the most familiar and extreme example of this fact. If it comes, it comes; if it does not come, no process of reasoning can force it. Yet it transforms the value of the creature loved as utterly as the sunrise transforms Mont Blanc from a corpse-like gray to a rosy enchantment; and it sets the whole world to a new tune for the lover and gives a new issue to his life. So with fear, with indignation, jealousy, ambition, worship. If they are there, life changes. And whether they shall be there or not depends almost always upon non-logical, often on organic conditions. And as the excited interest which these passions put into the world is our gift to the world, just so are the passions themselves gifts; gifts to us, from sources sometimes low and sometimes high; but almost always non-logical and beyond our control. Gifts, either of the flesh or of the spirit; and the spirit blows where it lists, and the world’s materials lend their surface passively to all the gifts alike, as the stage-setting receives indifferently whatever alternating colored lights may be shed upon it from the optical apparatus in the gallery.
Meanwhile the practically real world for each one of us, the effective world of the individual, is the compound world, the physical facts and emotional values in indistinguishable combination. Withdraw or pervert either factor of this complex resultant, and the kind of experience we call pathological ensues.
1. This passage mainly discusses _______.
2. Our feelings about external reality have their origin in _______.
3. The passion of love is cited by the author to show how _______.
4. According to the author all are true EXCEPT that _______.
5. We can conclude from the passage that a man is about to be executed will feel _______.

问题1选项
A.the dual nature of the world in which we humans live
B.the effect of strong emotions
C.emotion and reality
D.emotions and passions - gifts of the spectator’s mind
问题2选项
A.our heart
B.events that affect us personally
C.our immediate environment
D.our subjective being
问题3选项
A.unable we are to control our emotions
B.unreal our practical world is
C.familiar passions are to us
D.our world can be transformed by our feelings
问题4选项
A.whatever values our world has for us are imparted by our minds
B.our feelings about external reality flow from what is objective-outside facts in this environment
C.there seems no logical way to predict our reactions to a given set of conditions
D.our emotions and passions are gifts — no way of controlling or summoning them
问题5选项
A.depressed
B.desperate
C.apathetic
D.emotions we cannot predict
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