2020考研英语阅读参考译文

考研英语的阅读理解部分占分比例大，在考研英语（一）中，阅读理解占60分，在考研英语（二）中，阅读理解占分50分，对于满分100分是试卷来说，阅读理解需要着重的练习才好。

　　Roger Rosenblatt’s book Black Fiction, in attempting to apply literary rather than sociopolitical criteria to its subject, successfully alters the approach taken by most previous studies. As Rosenblatt notes, criticism of Black writing has often served as a pretext for expounding on Black history. Addison Gayle’s recent work, for example, judges the value of Black fiction by overtly political standards, rating each work according to the notions of Black identity which it propounds.

　　Although fiction assuredly springs from political circumstances, its authors react to those circumstances in ways other than ideological, and talking about novels and stories primarily as instruments of ideology circumvents much of the fictional enterprise. Rosenblatt’s literary analysis discloses affinities and connections among works of Black fiction which solely political studies have overlooked or ignored.

　　Writing acceptable criticism of Black fiction, however, presupposes giving satisfactory answers to a number of questions. First of all, is there a sufficient reason, other than the facial identity of the authors, to group together works by Black authors? Second, how does Black fiction make itself distinct from other modern fiction with which it is largely contemporaneous? Rosenblatt shows that Black fiction constitutes a distinct body of writing that has an identifiable, coherent literary tradition. Looking at novels written by Black over the last eighty years, he discovers recurring concerns and designs independent of chronology. These structures are thematic, and they spring, not surprisingly, from the central fact that the Black characters in these novels exist in a predominantly white culture, whether they try to conform to that culture or rebel against it.

　　Black Fiction does leave some aesthetic questions open. Rosenblatt’s thematic analysis permits considerable objectivity; he even explicitly states that it is not his intention to judge the merit of the various works — yet his reluctance seems misplaced, especially since an attempt to appraise might have led to interesting results. For instance, some of the novels appear to be structurally diffuse. Is this a defect, or are the authors working out of, or trying to forge, a different kind of aesthetic? In addition, the style of some Black novels, like Jean Toomer’s Cane, verges on expressionism or surrealism; does this technique provide a counterpoint to the prevalent theme that portrays the fate against which Black heroes are pitted, a theme usually conveyed by more naturalistic modes of expression?

　　In spite of such omissions, what Rosenblatt does include in his discussion makes for an astute and worthwhile study. Black Fiction surveys a wide variety of novels, bringing to our attention in the process some fascinating and little-known works like James Weldon Johnson’s Autobiography of an Ex-Colored Man. Its argument is tightly constructed, and its forthright, lucid style exemplifies levelheaded and penetrating criticism.

1.The author of the text is primarily concerned with __________.

　　[A] evaluating the soundness of a work of criticism.

　　[B] comparing various critical approaches to a subject.

　　[C] discussing the limitations of a particular kind of criticism.

　　[D] summarizing the major points made in a work of criticism.

　　2.The author of the text believes that Black Fiction would have been improved had Rosenblatt __________.

　　[A] evaluated more carefully the ideological and historical aspects of Black fiction.

　　[B] attempted to be more objective in his approach to novels and stories by Black authors.

　　[C] explored in greater detail the recurrent thematic concerns of Black fiction throughout its history.

　　[D] assessed the relative literary merit of the novels he analyzes thematically.

　　3.The author’s discussion of Black Fiction can be best described as __________.

　　[A] pedantic and contentious.

　　[B] critical but admiring.

　　[C] ironic and deprecating.

　　[D] argumentative but unfocused.

　　4.The author of the text employs all of the following in the discussion of Rosenblatt’s book EXCEPT: __________.

　　[A] rhetorical questions.

　　[B] specific examples.

　　[C] comparison and contrast.

　　[D] definition of terms.

　　5.The author of the text refers to James Weldon Johnson’s Autobiography of an Ex-Colored Man most probably in order to __________.

　　[A] point out affinities between Rosenblatt’s method of thematic analysis and earlier criticism.

　　[B] clarify the point about expressionistic style made earlier in the passage.

　　[C] qualify the assessment of Rosenblatt’s book made in the first paragraph of the passage.

　　[D] give a specific example of one of the accomplishments of Rosenblatt’s work.

1.【答案】A

考点：这道题考文章中心主旨。主要从首尾段落推断正确选项，考生应理清选项的内含和文章的主旨。

2.【答案】D

考点：审题定位和反推题。考生需要利用上下段关系审题定位，还需要逆向思维推理。

3.【答案】B

考点：归纳推导题。本题涉及全文，主要还是抓住中心主旨，首段的首句和尾段的首句，考生需分析和归纳。

4.【答案】D

考点：写作手法题。考查考生的语言基本功，注意英文常见的写作手段，选项D“definition of terms”(给词语下定义)在原文中没有涉及。

5.【答案】D

考点：举证题。考生需抓住文中的某些关键词的理解和运用。